If anything, Shannon’s Zod reminded me of an ultra-right Likudnik. The big, loud climax of the movie comes when Zod sends two gigantic robo-drills to terraform Earth into a New Krypton, which would of course end with the total extinction of the human race. But Zod’s not too worried about that. He all but says “can’t make Space-Zion without breaking a few eggs.”
For a character dreamed up by two Jewish boys in Cleveland as a kind of Moses-cum-Christ figure, it’s bizarre that no one’s made this connection yet. Which goes to show you just how off-the-radar the plight of the Palestinians is for both mainstream America as well as our circle of liberal film critics.
Zod’s fervent Krypto-Zionism versus Kal-El’s pluralism and universalism reminded me of a passage from Eric Hobsbawm’s memoir:
“As a historian I observe that, if there is any justification for the claim that the 0.25 per cent of the global population in the year 2000 which constitute the tribe into which I was born are a ‘chosen’ or special people, it rests not on what it has done within the ghettos or special territories, self-chosen or imposed by others, past, present or future. It rests on its quite disproportionate and remarkable contribution to humanity in the wider world, mainly in the two centuries or so since the Jews were allowed to leave the ghettos, and chose to do so. We are, to quote the title of the book of my friend Richard Marienstras, Polish Jew, French Resistance fighter, defender of Yiddish culture and his country’s chief expert on Shakespeare, ‘un peuple en diaspora.’”